Portfolio:
Sonia Kozlova Clark

Member of: ISPA, APAP, MICC
Member of MICC North-American Cohort for outdoor festivals and cirque

Music by Artpark

Including shows presented by Artpark and by Artpark in partnership with Live Nation, AEG Live, AEG Global, Funtime Presents, DSP
2023
  • Alvvays / Alex G (Funtime/AP)
  • Australian Pink Floyd
  • Avett Brothers (AP/Funtime)
  • Barenaked Ladies
  • Ben Folds (LN/AP)
  • Buddy Guy
  • Jason Isbell (LN/AP)
  • Larkin Poe / Allman Betts
  • Lauren Daigle (Funtime/AEG/AP)
  • Michael Franti (Funtime/AP)
  • Mt. Joy (Funtime / AP)
  • My Morning Jacket
  • Noah Kahan (LN)
  • Orville Peck
  • Parker McCollum (LN/Emporium)
  • Pixies / Modest Mouse (LN/AP)
  • Rain: Tribute to the Beatles
  • Rainbow Kitten Surprise (LN/AP)
  • Richard Marx / Yacht Rock Review
  • STYX
  • Tori Amos (Metamorphic/AP)
  • Whiskey Myers
  • Young the Giant (LN/AP)
2022
  • Harry Potter and The Prisoner of Azkaban w/BPO
  • Weird Al Yankovic (LN)
  • Buddy Guy / Kenny Wayne Shepherd / Kingfish
  • Blue Rodeo
  • Bon Iver (AEG Global)
  • Boy George & Culture Club
  • Brantley Gilbert / Tyler Braden
  • Chvrches (LN)
  • Deathcab for Cutie (Funtime)
  • Jack White (LN)
  • Khruangbin (Funtime/AP)
  • Lake Street Dive (DSP)
  • Modest Mouse / The Cribs (DSP)
  • Nathaniel Rateliff & The Night Sweats (Funtime/AP)
  • NEEDTOBREATHE (LN)
  • O.A.R. / Dispatch / G. Love
  • Patti LaBelle
  • Rainbow Kitten Surprise
  • Sad Summer Festival (Funtime/AP)
  • Tedeschi Trucks Band / Los Lobos / Gabe Dixon
  • The Head and the Heart (LN)
  • The War on Drugs (LN)
  • Trombone Shorty's Voodoo Threauxdown
  • Ziggy Marley
2021
  • Chicago
  • Blackberry Smoke
  • Blues Traveler
  • Brett Young (Funtime/AP)
  • Bright Eyes (Funtime/AP)
  • Brothers Osborne
  • Chicago
  • Martha Redbone
  • Dropkick Murphys / Rancid (Funtime/AP)
  • Fitz and The Tantrums
  • Glass Animals
  • Halestorm (Funtime/AP)
  • Joe Russo's Almost Dead
  • King Crimson w Zappa Band
  • Lettuce
  • Melissa Etheridge
  • Wilco + Sleater Kinney (Funtime/AP)
2019
  • Bad Company
  • Brian Wilson
  • Burton Cummings / Jean Philip Gagnon
  • Chris Isaak
  • Earth Wind & Fire
  • Flaming Lips (Funtime/AP)
  • Foreigner
  • George Clinton
  • JoJo Siwa (AEG Live/Funtime)
  • Kip Moore
  • O'Jays / AWB
  • Rick Springfield
  • Sarah MacLachlan w Buffalo Philharmonic Orchestra
  • Sammy Hagar
  • Sugar Ray
  • Thievery Corporation
  • Third Eye Blind (Funtime/AP)
  • Weird Al Yankovic
  • Yes / Asia
2018
  • Barenaked Ladies / Better Than Ezra
  • Blue Rodeo with Colin James
  • Boy George & Culture Club / B-52s / Thompson Twins' Tom Bailey
  • Brit Floyd
  • Bruce Hornsby & The Noisemakers / Wood Brothers
  • Decemberists
  • Gov't Mule with Lukas Nelson
  • Jack White (LN)
  • Jeff Beck / Ann Wilson of Heart
  • Steve Miller Band with Peter Frampton
  • Steven Tyler / Loving Mary Band
  • Tedeschi Trucks Band
  • Trombone Shorty with Galactic, Preservation Hall Jazz Band, New Breed Brass Band, Cyril Neville, Kermit Ruffins, and Walter “Wolfman” Washington
2017
  • 311 with New Politics and the Skints
  • Arkells (Funtime/AP)
  • Bleachers / July Talk
  • Blink-182 / PVRIS (Funtime/AP)
  • Blondie / Garbage
  • Brian Setzer's Rockabilly Riot! / Woodoo Daddy
  • Brit Floyd
  • Canadian Hall of Fame: Randy Bachman / 54-40
  • George Thorogood & the Destroyers / 38 Special
  • Gov't Mule / Galactic
  • Jethro Tull by Ian Anderson
  • Loverboy / Kim Mitchell
  • Lynyrd Skynyrd
  • Tears for Fears
  • Volbeat
  • Ziggy Marley
  • ZZ Top
2016
  • Dolly Parton
  • Barenaked Ladies
  • Blue Rodeo
  • Whitesnake
  • Band Perry
  • Ben Harper
  • YES
  • Rain
  • STYX
  • Boz Scaggs
  • Two Door Cinema Club (Funtime)
  • Ray LaMontagne
  • Ben Folds w YMusic
  • Slightly Stoopid
  • O.A.R.

Community Engaging Outdoor Spectacles: DANCE, CIRQUE, OPERA

North American premieres at Artpark, 2016-2023.

Cultural exchange through collaborative projects engaging international performers and the local community.

FURA DELS BAUS, SPAIN: CARMINA BURANA conducted by Gil Rose, w/ Buffalo Philharmonic Orchestra & Chorus + members of the Artpark Bridges program and community residents, (237 participants on stage, sold out)

PLASTICIENS VOLANTS, FRANCE (3 tours + new work in progress)

CIRQUE INEXTREMISTE, FRANCE

CIRQUE BARCODE, MONTREAL

BALE DE RUA, BRAZIL

ART MOVE CONCEPT, FRANCE

DAVID GLASS ENSEMBLE, UK

JON LEHRER DANCE, US

TIFFANY MILLS DANCE, US

ARTPARK FAIRY HOUSE FESTIVAL w/ international program of guest artists including: Giraffe Royal (Estonia), Cirque Orange, Cirque Barcode (Montreal), Uta Bekaia (Georgia), Lehrer Dance (US), Slyboots (US), 100+ others

ARTPARK BRIDGES, a year-round drama therapy program

ARTPARK STRAWBERRY MOON FESTIVAL as a part of year-round indigenous arts program featuring the artists of Haudenosaunee nations local to the area, featuring international & household names: Martha Redbone, A Tribe Called Red, Pamuya, Blue Rodeo + numerous other

THE ODYSSEY by Lear Debessonet and Todd Almond, directed by Roger Danforth , groundbreaking community collaboration involved over 200 participants including theatre professionals, volunteers and community organizations. Broadway stars joined community actors, students and volunteers.

Photos by Jordan Oscar for Artpark & Company

ARTPARK SONIC TRAILS

2020-2021-2022

A visionary multi-season of site-reactive audio experiences presented in a mobile app designed by The Holladay Brothers, curated and co-produced by Sozo Creative. With a hyper-local and global perspective, Sozo Creative and Artpark brought together some of the most influential BIPOC voices in music to cultivate aural experiences exploring the unique geological and historic Earl W. Brydges Artpark State Park located on Niagara Gorge, just seven miles from Niagara Falls.

EXCLUSIVE APP EXPERIENCES FEATURING:

  • MICHELE-ELISE BURNETT & LOCAL NATIVE AND FIRST NATIONS MUSICIANS & STORYTELLERS
  • RHIANNON GIDDENS, YO-YO MA & SILKROAD ENSEMBLE
  • THE HOLLADAY BROTHERS
  • KRONOS QUARTET
  • PAUL D. MILLER AKA DJ SPOOKY

“In a flash, I felt the power of the land and the presence of those who had passed through it. Not in some Hallmark Channel, neatly wrapped-with-a-bow manner. But through a strong and deep mini-epiphany that was both exhilarating and profoundly sad” - Jeff Miers, Buffalo News, Dec 2021

THE ART OF WALKING

Carin Jean White (US), Itsaso Irribaren, German de la Riva (Spain) , summer 2020
Photos by Jordan Oscar for Artpark & Company
“I cried at the resilience and creativity of humans, designing ways for us to engage with each other and the world safely and meaningfully…Something about being masked in the heat became consciousness shifting, like the heat from a sweat lodge, and the use of headphones caused us to focus deeply…we noticed our walking. And we noticed the leaves and the stones and the cracks in the walls. And we felt alive and a part of something, a part of community and a part of the earth.” — Tamara Rettino, participant in Art of Walking 
Using innovative remote sound-transmission technology and the poetics of custom-made script, the indescribably beyond what we think of as a traditional walking tour, the Art of Walking inspired a sense of a calm, a feeling of being embraced. 

ALARM WILL SOUND

TEN THOUSAND BIRDS by JOHN LUTHER ADAMS
Artpark, Summer 2020

The engagement with the highly collaborative ensemble Alarm Will Sound in presenting collaboration with PS21 in Chatham, NY, came about as a result of the need for alternate content caused by the pandemic.

Alarm Will Sound, based in New York City, takes their approach beyond the music, frequently incorporating collaborations with other artists, in media including video, text, theater, and movement. It’s all meant to “inspire new questions in listeners and encourage the search for new answers.” A perfect fit. They proposed performing John Luther Adams’ “Ten Thousand Birds,” which he wrote for them. The composition requires the musicians and listeners to be spread out, and also incorporates nature: specifically birdsongs native to or migrating through the area where it’s performed, exploring the connections between nature and music. The fit for the venues, the times and the audiences seemed to be made to order. According to the composer’s directions, at times the music was so quiet that the listeners needed to mindfully search for the sounds.

At Artpark, we chose to place the performance in the brutalist semi-abandoned during the pandemic Mainstage Theater and its plaza, allowing for several spectacular sonic opportunities, a play with vertical and horizontal space, and avoidance of the most obvious (a bucolic garden nearby). Sonia Clark, President, Artpark.

Photo by Jordan Oscar for Artpark & Company

UNITY IN DIVERSITY

A wayfinding mural by Muhammad Z Zaman, Artpark's 2021 Summer Artist-in-Residence
Photos by Jordan Oscar for Artpark & Company
Stroll along a rainbow path created by 2021 Summer Artist-in-Residence Muhammad Z Zaman, where one can find Unity in Diversity. Inspired by ancient practices and urban techniques, Zaman weaves a unique narrative through layer upon layer of joyful colors and patterns, which show the importance of mutual respect, despite the seeming impossibility of communicating or understanding each other. Fusing elements from English, Bangla, and Arabic, the mural is an invitation of hope that humanity will be stronger with mutual connection and inclusiveness.

“I will never forget my experience painting this Mural at Artpark,” said Muhammad Zaman. “I received some feedback from the people who were walking in the park, and this is something really special to me. They were attracted by the joyful colors and because they’ve never seen anything like it. Having the chance to paint in such a beautiful and peaceful environment was really inspiring.”

The creation of cultural experiences in nature such as these is part of what makes Artpark a singular institution, and it would be our pleasure to celebrate these new installations with you.

VISUAL ARTS PROJECTS

MURMURATION @ Artpark
by SO-IL: Florian Idenburg, Ted Baab, Andrew Gibbs, Ray Rui Wu (Brooklyn, NY)
photo by Jordan Oscar for Artpark & Company
Murmuration was designed by the architectural firm SO – IL, a gift from Artist and transfer from High Museum in Atlanta, GA

A 2,350-square-foot mesh canopy that evokes the environment of neighboring trees. This sculptural pavilion, complete with feeding stations and perches, also reflects upon the loss of billions of birds in recent decades. Visitors are invited to “perch and nest” alongside the birds in this outdoor mesh canopy.

BOWER by Ellen Driscoll & Joyce Hwang
Artpark LABORATORY
City as Living Laboratory
photo by Jordan Oscar for Artpark & Company
Artpark has a prominent history as a laboratory that allowed artists to experiment and develop new ideas about materials, processes, time, and space on an ambitious scale. Many of the visual artists who had residencies at Artpark went on to gain great prominence for their work in the public realm. Now after thirty years Artpark is exploring the opportunity to establish another kind of experimental laboratory in partnership with CALL/City as Living Laboratory.

Bower is a series of interrelated architectural fragments, designed to promote awareness and interest in local bird species, as well as draw attention to the perils of bird-strike window collisions.

The fragments are structured using standard wood frame construction, and formed to evoke local domestic building typologies. Inserted within the fragments are a number of tempered glass windows, each sandblasted with an image that performs as a visual interference pattern for birds-in-flight. The window images are a continuation of Driscoll’s recent drawing series, “Soundings” and “Hive,” combined with a variation on Hwang’s recent window design project, “No Crash Zone.” Layered upon the fragments are a collection of bird and bat houses, designed by Hwang to facilitate multi-species inhabitation.
Bower Artpark - City as Living Laboratory

Symphony / Chamber / New Music/ Jazz/ World Music/ Opera

ARTPARK 2016-2023, highlights
Photos by Jordan Oscar for Artpark & Company

A rebranded series defined by an eclectic variety of music experiences new to the audience. Each concert was presented in informal, often playful settings throughout the park, indoor and outdoor, with a variety of seating (sometimes walking/standing/dancing) configurations to accommodate most optimal experience for an entry-point audience. From 2016 to 2023 the small base chamber, jazz and new music audience grew from 218 attending in 2015 to 2,866 in the 2023 season.

  • BUFFALO PHILHARMONIC ORCHESTRA, conducted by Gil Rose: an on-stage audience concert with full orchestra featuring Danielle Talamantes (soprano), Janna Baty (mezzo soprano), Dominick Chenes (tenor) and Michael Chioldi (baritone)
  • ALARM WILL SOUND: Eartheater, King Britt, Aphex Twin
  • ALARM WILL SOUND: John Luther Adams’ 10,000 Birds
  • SO PERCUSSION (2019 Julia Wolfe, Kendal Williams)/ 2019 w/Shodekeh Talifero 2022
  • THIRD COAST PERCUSSION (Jlin, Philip Glass, Flutronix)
  • JP JOFRE & HARD TANGO BAND (2019 & 2022)
  • JEREMY DUTCHER (2023)
  • DAKHABRAKHA w/film EARTH (2022) / Dakhabrakha 2019
  • A TRIBE CALLED RED (2019)
  • MARTHA REDBONE (2021)
  • WINDSYNC (2022)
  • CS4 (North-American Premier of Philip Glass Quartet No.9) (2023)
  • NUSANTARA ARTS (Gamelan) (2017, 2020, 2021, 2022)
  • BUFFALO JAZZ COMPOSERS WORKSHOP (2016-2023)
  • BUFFALO PERCUSSION ENSEMBLE (2016-2019)
  • DAVID COSSIN (of BANG ON A CAN) (2016)
  • CYRO BAPTISTA w/Kenny Wolleson, Brian Marsella, Billy Martin, Tom Kolor
  • NULL POINT (ongoing residencies 2016-2021)
  • SVETLANA and the Delancey Five
  • L’OISEAU: IMMERSIVE CONCERT INSTALLATION w/ CATHIE APPLE Flute, DARRYL TONEMAH Native American Flute, TIM STANLEY Cello, MANTRA PERCUSSION ENSEMBLE (2023)
  • THE HOLLADAY BROTHERS (2020-2022)
  • + + + + more

Artpark 2023 - DakhaBrakha

A boy unfurls a Ukrainian flag from the back of a sedan as the sun sets in unnameable colors over the ridge. Children are playing under the sculpture Murmurations, metal poles wrapped in blue gauze, while others start to follow the chalked Arabic script of an installation by Muhammad Zaman from the parking lot to the courtyard beside the theatre, buzzing in the dusk with patrons buying beers and posing for portraits in front of murals scattered throughout the terraces of Brutalist concrete.

Tonight the Ukrainian quartet DakhaBrakha will perform their original live accompaniment to Alexander Dovzhenko’s Earth, a silent film the Soviets commissioned in 1930 and banned only nine days after its release, now hailed as one of the greatest works in cinematic history.

The avant-garde director and auteur Vladyslav Troitskyi, founder and “ideologist” of the group, has called its music “ethno-chaos.” The music, like the costumes–white lace wedding dresses or militaristic black wool overcoats, pointed boots, piles upon piles of beaded necklaces, accessorized fish, and most recognizably, their soaring, irregular wool hats–combines a variety of distinct Ukrainian ethnic folk traditions, all of which the members spent years researching across the country’s far-flung villages and farmlands. To these, they add a healthy dash of Middle Eastern influence, stark and literal imitations of birdsong and heavy weather, and an ambient awareness of American R&B. In 2008, four years after the band’s founding, Vladimir Putin in a private meeting with then-President George W. Bush insisted that “Ukraine is not a country.” Later this summer, he will expand upon the lie: modern Ukraine is a “fiction,” he will tell a Moscow audience, merely one of Lenin’s “sloppy” mistakes. For nearly two decades, DakhaBrakha has been a loud, living counterargument. Tonight, they make this counterargument in Western New York.

There are 532 people listening–some Western New Yorkers with Ukrainian ties, some appreciators of foreign films and followers of the University at Buffalo’s Bruce Jackson, who will interview the band after the performance, and some diehard fans of DakhaBrakha since even before their arresting NPR Tiny Desk concert in 2015.

Photo - Traffic East Magazine

The Artpark Mainstage Theatre sometimes feels empty. The most the facility can do to right-size for a smaller crowd is close the back gates that offer a view to an additional 2,000 lawn seats. Designed without a mezzanine, the auditorium and towering fly house give the impression of an aircraft hangar. The building would have swallowed a crowd this small at a typical concert, but when the lights go out and the first human hum issues from the amplifiers, space flattens against the proscenium–there is only the screen and the four seated performers lightly backlit below it. We see a patriarch slowly dying under an apple tree, then a tight, close shot of the thousand-seeded head of a sunflower. Nina Garenetska, Olena Tsibulska, Iryna Kovalenko, and Marko Halanevych weave their rich accompaniment, layering shouts, wails, and whistles over surging strings, buzzing lamellophone, unrelenting percussion. In their voices, cast through and against the film, there is a sense of a common primal substance from which all narrow and nameable emotions come. Brother-love, father-scorn, hunger-hate, wonder-gratitude. We experience these states, but also something older, immeasurable, unmade.

POWER: ARTPARK 2030 MASTER PLAN

ARTPARK PRESIDENT / Project lead

Striving to create a sustainability-conscious experience of arts, ecology, and culture year-round, we imagined a future for Artpark that embodies its history of communal interaction with art, nature, history and science. Artpark is the convergence of many kinds of power: the force of the water, the generation of electricity, artistic creation, and the power of people, to name a few. Together, these powers embody Artpark’s mission to fuel and fuse art + nature + culture + technology. In this vision where artistic immersion combines artificial and natural elements in the makeup of the landscape to suggest that art, nature, and culture are inherently linked.

http://so-il.org/projects/artpark

COMPLETED IN 2020

ARTPARK’S ENABLING TECHNOLOGY FRAMEWORK 

As a substantial part of the plan, the subject of Enabling Technologies was raised throughout the plan: the design team proposed a framework for the use of technology in Artpark. The framework begins with the recognition that modern technology is intimately bound to human-made global warming, and that our future choices of technologies must socially and culturally as much as technically redress this past. It also recognizes that technology is unavoidably pervasive and so must be properly positioned in our plans for the future.

Practically, technologies are continually evolving, emerging, growing obsolete, and not entirely in our control. For Artpark, enabling technologies are those that are in direct service to its programming and audience experience. They include technologies that visitors will bring with them and technologies that artists and designers will build and deploy in the park and future technologies that we can’t entirely know but will need to anticipate and account for in the master plan. This framework considers technologies relevant to Artpark’s art+nature+culture mission and how they should intersect with Artpark’s physical plant. The framework helps to narrow the choices for specific needs and provides a comprehensive overview of how energy relates to the mission.

SO-IL / WEST8/CHARCOAL BLUE / GEKH
 

CURATORIAL PILLARS OF THE ARTPARK MASTER PLAN

Developed by Clark, Khan & Geiger (Gekh Studio):

New Natures

Addressing a wide array of artistic practices that engage issues of the Anthropocene (climate change, environmental pollution, genetic modification) and concepts of nature across indigenous to global contemporary cultures, works will actively employ Artpark’s landscape as a vehicle to explore ideas. The curator will be tasked with developing an agenda that will support works of different durations and spatial scales. The curator will also assist in developing
a residency program for visiting artists that will support the making of site specific works and educational opportunities at Artpark

Citizen Culture

Citizen Culture programs with the mission of bringing diverse public access to diverse cultures near and far, and promoting cultural and artistic practices that continually explore community and citizenship.

The Citizen Culture curator organizes both physical artworks and events that offer equal space to communities’ traditional cultural rites and celebrations and to contemporary artists’ works that highlight and effect the values of democracy and equality, and that bring people through the arts.

Designing Biomes

A program focused on emerging technologies, architecture and the construction of habitats brings into focus the role of design and designed artifacts in imagining futures for living with climate change.
This program will explore the construction of experimental architecture that reconfigures our relationship to nature from exploitative to symbiotic. The projects will contribute to the park’s physical plant and provide alternative spaces for supporting its programming.

Legacy Futures

Artpark looks excitedly to the future and also prizes its rich history. For this reason, the Legacy Futures curator is responsible for innovative programming that balances reinstallation of key works; for commissioning of path-breaking new work that may be specifically concerned with imagining and making a future; and also for conceiving works and programs that may bring these two together into a continual dialogue on the many themes that first marked Artpark, such as Land Art, great symphonic productions, and Social Practice artworks.

Environmental Laboratory

Led by the City as Living Laboratory under the direction of artist Mary
Miss, the Environmental Laboratory will use Artpark as a launching pad
for a multi-park environmental project. The project’s aim will be to
develop temporary and longer-duration art installations along an Art
Path that connects Artpark to the parks to its immediate north and
south. Works will rely on an actual laboratory facility on site: a
tool shed of sensing equipment connectable to a wireless data
infrastructure, common gardening tools, equipment for basic
environmental chemistry, and more.

Meredith Monk

Company & General Manager
photo - The New York Times
EDUCATION OF A GIRLCHILD, 3LD Art Center, NYC 2011, Project Producer

Songs of Ascension, FRANCE/POLAND/US TOURS: General & Company Manager

AMERICAN MAVERICKS TOUR with SAN FRANCISCO SYMPHONY, Company Manager / Director’s Assistant

REMIXES AND INTERPRETATIONS – JOE’S PUB
release party producer:

Produced by Paul Miller aka DJ Spooky, contributing artists include Bang on a Can, Björk/Brodsky Quartet, DJ Spooky, Don Byron, Sussan Deyhim, Miho Hatori (Cibo Matto), John Hollenbeck/Theo Bleckmann, Henry Grimes, Vijay Iyer, Rubin Kodheli, Lukas Ligeti/Pyrolator, Arto Lindsay, King Britt, High Priest (Anti-Pop Consortium), Matt Marks (Alarm Will Sound), Nico Muhly, Gabriel Prokofiev, Lee Ranaldo (Sonic Youth), DJ Rekha & RajStar, Todd Reynolds, Ryuichi Sakamoto, Scanner, Shodekeh, and Pamela Z. Ms. Z and many of the other artists on the CD performed live at the CD Release Party at Joe’s Pub, NYC.

New York Times review

Blanca Li: ROBOT

BAM Howard Gilman Opera House
General Manager for Blanca Li - 2015
Photo: ©Laurent Philippe

Dancers and robots shared the stage at the Brooklyn Academy of Music, for a performance that personifies the machine and mechanizes the human. The brainchild of choreographer Blanca Li, ROBOT is a 15-piece dance ensemble that comprises eight humans and seven humanoid toddler-size robots (NAO bots) dancing side by side, fully immersed in the sounds of a “mechanical orchestra.”

Known for her colorful, offbeat choreography, Li uses ROBOT as a means of exploring the polarity between human and machine, seeking out the nexus where the two can thrive. With humans mimicking robots and robots mimicking humans, ROBOT attempts to tackle grand concepts through the lens of irony, humor, and the juxtaposition of the beauty of the human form with that of machinery.

NYC Dance Stuff - On Dancing with Robots | Robot: A Show by Blanca Li at BAM

Slava’s Snowshow

HELEN HAYES THEATER, BROADWAY, NY + INTERNATIONAL TOURING
Producing Apprentice / Tour Manager
Nov 2008 - Jan 2009: served as Apprentice to the Executive Producer, Foster Entertainment and the Artistic Director, Slava Polunin on the shows' production at Helen Heyes Theatre on Broadway, December - January 2009, as part of Columbia University MFA program.

Jan 2009 - Sept 2009 - Organized company's expedition to Burning Managed all aspects of the appearance at the 24th annual festival , negotiated with Burning Man, researched and coordinated all production and company management aspects in extremely challenging conditions of open desert (accommodations, technical equipment, provisions for an international company of artists.)

December 2013 – September 2015: assisted GAAP Management leadership in managing Snowshow international tours, including a World Premier of Snow Symphony with Gideon Kramer premiered in Munich, Germany.

Zorro

Stage Entertainment Russia
Executive Producer
Executive Produced the international transfer of commercial musical "Zorro", music by Gipsy Kings, book and lyrics by Stephen Clark, directed by Christopher Renshaw to a 1600-seat MDM Theatre, Moscow, Russia, Opened October 2, 2010 - closed May 30, 2011.

• strategic planning for the production transfer from Paris with all necessary modifications for the Russian market and stage;

• overseeing overall production development, casting, creative team building, financial and operations management of the show through the opening.

Zorro's  legendary story of good versus evil has been a source of enduring fascination, and has been the subject of a best selling novel by producer Isabel Allende as well as several major motion pictures.

 ZORRO: THE MUSICAL retells the dramatic tale of this romantic hero with extraordinary aerial acrobatics, spectacular sword-fighting, and incredible magic – all set to the famous red-hot Gipsy King beat, brought to the stage with the authentic colours of traditional flamenco. To date, there have been first class productions in London, Moscow, Paris, Amsterdam, Prague, Moscow, Tokyo, Shanghai, Seoul, Sao Paolo, Tel Aviv, Beirut, and the U.S., all in their own languages.

The Gipsy Kings are that rare thing – an international household name famous solely for their music. The Gipsy Kings began with  two bands of brothers, the Reyes (Nicolas, Canut, Paul, Patchaï, André) and the Baliardos (Tonino, Paco, Diego), and after 25 years is still fronted by the two songwriters and producers Nicolas Reyes and Tonino Baliardo. In 1987 the Gipsy Kings’ self titled debut album introduced the world to "rumba Gitano," the sound of South America’s rumba rhythm married to flamenco guitars. With “Bamboleo” the Gipsy Kings scored a huge international hit, and since then the Kings have never stopped singing to the world. Their total album sales worldwide now exceed 18 million.

Rafael Amargo is one of the most famous Spanish flamenco dancers. A graduate of the Martha Graham School of Contemporary Dance in New York, his career has been supported by the Spanish artists Luis Gordillo and Esperanza D´Ors, and he has been photographed by Bruce Weber and Annie Leibovitz. In 2002, he was awarded the Positano Leonide Massine Prize in recognition of his work as a choreographer and a dancer, an award previously given to Rudolf Nureyev and Lindsay Kemp.

ZORRO’s book and lyrics are by Stephen Clark, and feature additional compositions, orchestrations and arrangements by John Cameron, lighting design by Ben Ormerod, sound design by Mick Potter with Mike Dixon as Musical Supervisor, Terry King as Fight Director, and illusions by Paul Kieve and Scott Penrose. ZORRO is produced by John Gertz, Adam Kenwright, and Isabel Allende.

URBAN STAGES, NEW YORK

Managing Director / Program & Finance Director, 2000-2008

Produced 12 World Premieres at Urban Stages Theater, NYC, including:

7 Rue de Fleurus

Book and lyrics by Ted Sod, Music and lyrics by Lisa Koch, Directed by Frances Hill.

"smart direction," "strong performances" (New York Times)
"luscious" (Variety); " Add this small charmer to this season's cornucopia of off-beat new musicals," (Curtain Up)

 

The Blue Bird

By Stanton Wood & Lori Laster, based on the classic by Maurice Maeterlinck, Directed by Heath Cullens, Scenic design by Andrey Bartenev, video design by Alex Koch, original music by Colm Clark.

World Premiere: December 14, 2007 – January 13, 2008

"lovely job at evoking magical worlds and characters," (The New York Times)

"... With exuberance and at times wicked humor, The Blue Bird achieves something irresistible: an adventure that is genuinely fun to embark on. It deals with death, grief, poverty, alienation, and fear, but it is never gloomy or self-conscious. The other half of the success comes from the renowned Russian avant-garde artist Andrey Bartenev's scenic and costume design. By marrying high-tech with high art, the familiar tale emanates as something strikingly new." (nytheatre.com)

 

The Oxford Roof Climber's Rebellion

by Stephen Massicotte, Directed by ROGER DANFORTH

"The drama of this riveting play could not be more timely...excellent new play... first-rate performances" - Wilborn Hampton, The New York Times "These 95 minutes are among the most sophisticated and absorbing currently on a New York stage... it glows with an uncommon intelligence." Karl Levett, Backstage

 

Bulrusher

by Eisa Davis, directed by Leah C. Gardiner

NOMINATED FOR A PULITZER PRIZE IN DRAMA

Eisa Davis "tickles the ears of her listeners [and] the effect is haunting... Ms. Kajese and Ms. Guevara.are drawn to each other emotionally and physically [and] their moving scenes on the banks of the pebble-strewn river, well designed by Dustin O'Neill, feel utterly true " - Andrea Stevens, The New York Times

Testimonials

Sonia’s leadership, direction and vision were extremely important to the cultural fabric of Western New York,…” said Dan Shanahan, founder and associate director of Torn Space Theatre. “What Sonia was able to do was look back at the origins for Artpark as a space for vibrant intellectual expression and a commitment to an avant-garde and land art, and channel that original spirit into a contemporary setting,” Shanahan said. “She was as remarkable at balancing the demand of commercial theater, where you have to present popular summer concerts, with a commitment to experimental and contemporary theater in order to create a vibrant and relevant cultural space.
Dan Shanahan
Founder / Director, Torn Space Theater, Buffalo News - article March 31st
Sonia brought the venue’s cultural, environmental and educational programming into a world of relevancy, acceptance and imagination I didn’t know was possible. In her term, Artpark transformed from a classic rock concert stage into what it was originally envisioned to be – an art park. It’s now a place where music and culture and nature and, most importantly, people can come together and be creative in a safe and welcoming space. Our community is better off for having Sonia Kozlova Clark be a part of it these past years.
Joshua Maloni
Managing Editor, Niagara Frontier Publications
Sonia is a visionary. Thank you for leading Artpark to a much better place.
Nancy Brock
M&T Bank Foundation, Executive Director, retired
Thank you for all you have done to bring new opportunities to Artpark and the region. Your vision and strategic direction are deeply admired. I think of the Artpark before you arrived and what you accomplished...amazing. Thank you for all you have done to brighten creative souls.
Jennifer Pauly
Executive Director, Upward Niagara Chamber of Commerce
Sonia is a dynamo at curation, programming, and strategic thinking. I have the pleasure of co-facilitating the Outdoor & Festival Circus Working Group for the Market of Contemporary Circus (MICC). We've successfully collaborated on block booking tours. Sonia has a superior eye for developing new works, and her dedication to the local communities she serves is first-rate.
JD Carter
Associate Director of A2SF, Ann Arbor Summer Festival
I was lucky enough to be part of Artpark's inaugural writers' residency program in 2023. During my stay, I found Sonia Kozlova Clark's ability to wear multiple hats, effortlessly and stylishly, impressive. She was warm, welcoming, and endlessly helpful as the face of Artpark; she was savvy and adventurous as a taste-making curator -- introducing me to the work of the incredible Jeremy Dutcher as well as the invigorating Third Coast Percussion during my stay. In short, her enthusiasm was contagious; her taste, impeccable. I hope our artistic paths cross again in the near future. She's truly one-of-a-kind.
Drew Pisarra
Poet in residence
Sonia embodies the fine and necessary principles of creative leadership: Engagement, Imagination, Ambition and Care. And she has done all this through warmth, humanity, play and a love of Artists and Community.
David Glass
Theater Director, David Glass Ensemble, UK
Sonia’s tenure at Artpark brought back what was so special about that very unique place when I first moved here in 1982—but in a new way that was as fresh and exciting and utterly appropriate in the 2020s as it had been in its fabled early days. Every time my husband and I visited the park recently—for Strawberry Moon, the Fairy Fest, experimental/environmental concerts, and on and on—we both felt transported. Sonia has become one of my local arts heroes. She (re-)connected WNY"s thriving arts community with the international scene.” “For decades I tried to tell people heading out to Lewiston for the latest appearance by yet another past-its-prime 70s rock act with a single original member left that “Artpark used to be SO much more than this. … I knew it could be more than just a picturesque outdoor concert venue again, because it had already been one. And then Sonia came along, and within a summer or two Artpark was back. Not as a shadow of its former self but as a 21st century reinterpretation. It’s been thrilling to witness. The park has recently played host to international spectacles attended by vast crowds, partnerships with Indigenous communities, audio tours of the woods by world-class artists, kid-friendly (but not childish) “fairy festivals,” drive-in movies… And, yes, plenty of concerts by acts old AND new.
Ron Ehmke
Youngstown resident
Je (nous) tenais à te remercier pour la relation régulière que nous avons entretenue durant ces années ponctuées de nos spectacles, merci pour ta confiance. Nous vivons rarement cela. Je me souviens du premier repérage pour Big Bang où tu venais d'arriver à ton poste, loin d'imaginer la collaboration qui s'en suivrait. La seconde chose importante pour moi (nous) est de nous avoir aiguillé sur cette piste Haudenosaunee, passionnante et surtout si riche de découvertes. Je ne cesse depuis de tenter de comprendre et de m'émerveiller du message contenu au sein de cette culture porteuse de paix, de respect et d'avenir. Il est grand temps de les entendre. Pour ma part, quelque soit l'avenir, la possibilité ou non d'en faire un spectacle afin de mieux faire connaître cette culture si profonde (je me dis souvent que la nôtre est minuscule tant elle est pressée et hautaine), je poursuivrai mes recherches pour comprendre l'importance des cérémonies, des façons d'accueillir, des wampums en tant que véhicules d'idées, de la chaîne d'alliance, et de l'histoire américaine avec son cortège d'autochtones ignorés. Nous aurons l'occasion de nous revoir. Les feux du lac réchauffent encore…
Marc Bureau
Plasticiens Volants (France)
You have been a champion for the arts, and Artpark has never been such a vibrant hub for the community.
John Smiglielski
Burchfield Penney Modern Art Museum, Director of Performances / musician, Buffalo Percussion Ensemble
Sonia has created a remarkable culture that extends from the audience, donors, board and staff. There is an authentic spirit at your home supported by the crashing in and out of artists that you effortlessly host; creating an open spirited atmosphere that is unlike anything I have seen in and around Buffalo. There is an international perspective, and the easygoing nature of conversations next to lake and fire seem out of a dream. During our visit, when we lost a phone, the staff were super helpful and genuinely concerned to find it, and this speaks to that culture you have created. They are supportive of the work being done and seem to really be enjoying their time at Artpark. The gala ’23 supported the artistic vision Sonia brought to Artpark. The donor event filtered into a durational performance piece that was a self-enclosed spectacle that evolved in unexpected ways culminating in a defined poetic image of the floating piano that underscored the aesthetic and performance philosophy you are bringing to Artpark The labor of the balloon filling up, coupled with the performance and setting was the exclamation point of the evening and did what no board presentation could articulate; this is the vision, these are how funds are being raised, this is what is possible, and this is a Sunday, and now for Monday. Monday was a sold-out show by one of the most influential bands of the post-punk era [Pixies]. This is a show in a red rock setting and it is bringing quality to WNY. And this is an event without pretension because of the way the volunteers and beer sellers conduct - it goes back to that notion of authenticity I notice throughout the week.
Dan Shanahan
Founder / Director, Torn Space Theater, a note from a week-long residence in 2023
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